Since my new piece is taking so long to finish, I've decided to share some of the early stages and the process that's involved in creating the etching plates with you. In early September I started working on a drawing for a print about Minneapolis. After two years of living here I have established some connections with the place that allow me to create a map of all the things and landmarks that are significant to me. I did a lot of biking around in late summer to take photographs of buildings, bridges, parks, as reference images. I started on the Greenway, which runs just a few blocks from our place (it's the most amazing double-laned bike highway running east to west through the city along old railroad tracks...hardly any lights or stop signs...you just go go go), across the Sabo bridge (cyclists' bridge alone!) to the Mississippi river, up along the river to the St. Anthony Falls and the Stone Arch Bridge, through downtown and back. With all the things I wanted to include in the piece, it got rather large, but since I've always wanted to try to work at this scale, I decided to go for it, especially since I have access to a large rosin box and acid bath here at Highpoint. The plates are 24" x 36" (60cm x 90cm)...yes, you read correctly, 'plates': this will be a double plate print. I hope it's going to work the way I imagine it. I struggled a lot with the layout of the image and since the scale and the placement of various elements kept changing, I opted for cut out sketches that I was able to move around, scan, enlarge or reduce in size until I was happy with the overall image. To me this is the same process as editing a text. I have a first draft; then I start to edit and shift things around until things look and feel right. The process is far from over before I can show a final piece of art.