Tuesday, March 20, 2018


I'm so pleased to be part of the Anthropocities exhibition. It was a collaboration between fine art and history of art, design and visual culture students from the University of Alberta. The exhibition was first on view at the Shaw Centre/Edmonton during an international climate change conference (IPCC/Intergovernmental Panel on Climate Change, which I believe is part of UN Environment) and is on display till March 31 at the University of Alberta Rutherford Galleria Space.

Saturday, February 10, 2018

Artist Visit at Stamps School of Art and Design

I had the privilege to have been invited to the Stamps School of Art and Design in Ann Arbor at the University of Michigan as a visiting artist this week. Thank you to Endi Poskovic and Stamps School of Art and Design for hosting me for a few printmaking workshops and artist talks. Thank you to Lee & Nick for all your help, and of course to all the students who attended, for your interest, engagement, thoughtful questions, and conversations. I greatly enjoyed this visit!
(Photo Credit: Katherine Hunt).

Friday, February 2, 2018


My first experience with public art through YEGCanvas - a program in Edmonton that displays work by local artists at LRT stations and on billboards. My piece was at the Churchill Station from November to December and is currently on display at the Central Station until February 11. The image is a detail of my larger print installation Seeds of Hope.

Tuesday, December 19, 2017

Goodbye SNAP!

Goodbye to the studio and the wonderful people at SNAP (Society of Northern Alberta Printmakers in Edmonton)! It is so great that every major city has a print studio where I can make my work. I worked here for the past six months, editioning the last print from my thesis exhibition and printing a new linocut! Now all my tools, inks, paper and plates are packed up and I'm ready to move on to new adventures.


Intaglio, Chine-Collé.
60cm x 90cm.

I finally finished printing an edition of three of the last print from my thesis exhibition. I worked on this edition over the course of the past three months. I built up the image by printing and layering about thirty (mostly small) printing plates. It's a bit of a crazy process, but when I started the piece, it was a rather experimental image, which made printing the edition a bit of a challenge. I printed one to two plates on each sheet of translucent gampi paper per day at the studio. The ink has to dry in between print cycles. Once finished, I mounted the gampi on a sheet of rag paper.
The imagery in this piece is part of my Dispossession series and depicts the displacement of subsistence farmers that are forced off their lands by the expansion of soy production, represented by the mechanical image element of a pneumatic soy seeder. Please note that some of the figures are carrying seed jars, symbolizing the ongoing effort to save seeds and the hope that more sustainable planting traditions might persist and be saved, even though they might lie dormant for a while.