Tuesday, May 23, 2017

Solo Exhibition at A/P Gallery

I have a solo show coming up at the Alberta Printmakers Gallery in Calgary June 2nd - July 15, 2017. I will do an artist talk on June 2nd at 7pm followed by a reception. The work on display is a selection of my MFA thesis work.  Click here to read an essay about my work by Dana Tosic. 

Sunday, April 9, 2017

SGC-International Awagami Paper Award

I'm the happy recipient of the new SGC-International Awagami Paper Award. See Facebook announcement below. To see full posting, please visit my Facebook page or view the images here.

Sunday, March 26, 2017

MFA Exhibition Review in The Gateway

I got a well written and thoughtful review about my MFA Exhibition in The Gateway. Click on the link to access it: https://thegatewayonline.ca/2017/03/fab-gallery-dispossession/

Thesis Defence & Reception

On February 21 I successfully defended my MFA thesis work. On March 2, I had a wonderful reception with more than two hundred people in attendance (see photos below). Thank you everyone for coming to celebrate with me or for thinking of me on that special evening. For the past month I've been trying to get my bearings again, de-stress a bit, but mostly keeping busy with student tours at the gallery, photographing work, and working on my supporting thesis document. I haven't printed anything in six weeks and I'm really starting to miss it!

My advisor Sean Caulfield and I at the reception.

Thursday, March 2, 2017

Interview about MFA Thesis Exhibition

CuriousArts at the University of Alberta published an interview with me and some great photos of my show.
Check it out here: http://www.curiousarts.ca/miriam-rudolph-dispossession

Sunday, February 19, 2017

Printing Seeds of Hope

Some people have asked me how I print an eight foot long (240cm) banner of paper.
Here is a short 2 minute video of me printing a plate on the central banner of Seeds of Hope.

I have already wiped the copper printing plate with an open bite etch, so the video focuses on the printing process (sorry the image of the hands on the plate isn't really visible in the video). This is one of the last plates that I'm layering on an almost finished piece. I worked with three different printing plates, each 24" x 36" in size (60cm x 90cm). For each print, I arranged the plate and the paper rather freely on the press bed. The paper is a Japanese Shoji paper from the Japanese Paper Place in Toronto, which picked up the aquatints better than I thought it would and which held up to being re-dampened and run through the press somewhere between 75 - 100 times. I printed this piece over the course of six weeks, printing a few plates every day to avoid too much offsetting of the ink. Once I arrange the plate and the Shoji paper on the press, I place a heavier, damp, western paper over top of the plate to absorb some of the blanket weave pattern before I put the printing blankets down. I let part of the paper hang over the edge of the press, and I release the pressure before I pull the paper out at the end. This print was printed at the University of Alberta graduate print studio.
For the printmaking nerds out there who want to see a version a bit closer to real time with a few more process details, here is a 7 minute version of the same video.

Thursday, February 16, 2017

Thesis Exhibition Installation

It is time! This week is the installation of my masters thesis exhibition. It has been busy and a bit stressful, but I've enjoyed every moment of it. We're almost done with a few final touches left for tomorrow.
For The Soy Field (above), there were 145 square foot size paper tiles to glue onto the wall, which took us two days. We've used a rice paste as used in chine-collé (or wheat pasting), which we spread on the damp paper sitting on a piece of acetate. We can then easily lift the acetate, shift the print into position and press it against the wall. Thankfully somebody has invented a laser level! And thankfully there was gallery staff who did most of the work (Thanks Phoebe and Myken!).

Below is Seeds of Hope, finally installed as I've envisioned it all along. I'm so pleased with the way it looks in this space, with the seed jars sitting on a bed of black earth underneath the banners with the hands.