Double-Plate Colour Etching.
It has taken me ridiculously long to get the aquatints (the different etched tones) just right on this plate, but I'm finally almost where I want the piece to be. I'm still working on the plate, but I decided to post this proof already so you get to see something new on my blog. It took me weeks to perfect the aquatints again. Even though I'm completely familiar with the processes, a new studio with new materials just adds so many new variables that many things can go wrong. I've scraped large parts of my plate back to a smooth surface over and over and over again to re-etch them. First the aquatint grain was too coarse, then it etched with an odd pattern on the plate (grease streaks on the surface from the cleaning rags), then it etched too dark and now I can't decide where to stop with the editing and I decided to brighten the background a bit.